![]() The Continuata system is popular among Kontakt library developers and is developed (like so many other music utilities) by a composer - Stu Kennedy! Once you have the downloader and have plugged in your download code, it’s time to get a coffee because it will take some time. The email in question will contain a link to the special downloading software that CS2 uses for distribution, produced by Continuata. The real fun part comes after, once you receive your download information. CS2 uses the ubiquitous FastSpring payment gateway to process purchases, so you’re likely familiar with the process of filling in your billing info and checking out, whether by credit card or via PayPal. ![]() The new site is beautiful and brings you from information to checkout in a smooth and intuitive manner.Īssuming you have read all about the features and been impressed by the exceptional demo tracks available, you’ll no doubt proceed to the store page, where the price will be displayed for you in your native currency. Getting Started Website & PurchasingĪlong with the new 2.0 update to the software, Alex Wallbank also put a lot of effort into giving the library’s website a significant facelift. CS2 reminds us of the dream we all had: the ability to just focus on the music and have the library adapt to our needs, offering us the sound we’re after without the buzz killing tedium of multi-patch madness.ĬS2 reminds us of the dream we all had: the ability to just focus on the music and have the library adapt to our needs, offering us the sound we’re after without the buzz killing tedium of multi-patch madness.īut before we delve too much into that, let’s take a step back and remember that the process of using a new library, especially one as large as CS2, begins long before you pull it into your sequencer: it begins with the installation. Over the years, many of us have gotten used to the idea that if we’re going to produce a respectable string section rendering, we’ll need to dedicate several tracks in our sequencer to each section, and fine-tune the interaction between them. ![]() Whereas others have focused on giving you granular control over what articulations you use on a patch-by-patch basis, CS2 eschews this tangle of patches in favor of a complete streamlining: there is one patch per instrument, and all articulations and features are accessible from within that patch via keyswitches and interface elements. ![]() When I called Cinematic Strings 2 a library ahead of its time, I did so because it takes a very different approach compared to the competition. While each of these products featured unique selling points, saw significant updates over the past two years, and went on to be very successful, today we focus our attention on Cinematic Strings, whose hugely anticipated 2.0 update offered one of the most transformative leaps in usability, quality, and value that we’ve ever witnessed.īut was it enough to firmly establish Cinematic Strings as a worthy competitor to its multi-patch behemoth cousins? Join me as I explore this library in depth, showing off its true colours, detailing its strengths and weaknesses, and helping you reach a conclusion about whether or not it should be the next addition to your composing arsenal. We saw the release of Andrew Keresztes’ LA Scoring Strings library, featuring industry-leading deep sampled divisi sections we saw EWQL Hollywood Strings, offering a massive wealth of articulations and no fewer than five independent mic positions and we saw the release of Cinematic Strings by Alex Wallbank - a library ahead of its time. ![]() In 2010, sample library developers from around the world seemed to converge on the idea that what digital musicians needed most was a better solution for sampled strings. Even in the fast-paced world of music software development, where variety reigns supreme and innovation is king, we can pick out trends that say something about the perceived gaps in the market. ![]()
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